About

For over a decade, I worked in branding – figuring out how things are perceived, how ideas land, how visual systems communicate. I still do.

But somewhere along the way, I found myself drawn to something completely different: work that's physical, hands-on, where the outcome isn't a concept or a campaign but something a person can actually feel in their own body.

That's how I found facial sculpting. I trained in Japanese Kogao facial realignment and have been practising and refining ever since.

What started as a pull toward something tactile became its own discipline. I stopped following fixed routines early on – not out of rebellion, but because faces don't work that way. Each one holds tension differently. Each session needs to respond to what's actually there.

My branding background probably shapes this more than I realise. I think a lot about structure, proportion, and how small things accumulate over time into something visible. That lens carries into how I work.